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Eighteenth-Century Music is a well-established journal dedicated to all areas of eighteenth-century music research. Its generous breadth of coverage includes, alongside articles and essays by both leading and emerging scholars, a wide range of reviews and a communications section that reports on conferences and other items of interest from around the world. Issues pa: 2
Holly Buttimore, Journals Group, Cambridge University Press, University Printing House, Shaftesbury Rd, Cambridge, CB2 8BS, United Kingdom
Educ, songs, perc, rounds, musicals for children, schools radio and TV. Black, International Music Publications, Universal Edition, Ward Lock Educational, Warner Chappell, Faber.
Conductor
Unit 1, 1 Eastfields Avenue, LONDON, SW18 1FQ, United Kingdom
Winner of the 2009 BBC Cardiff Singer of the World' competition and member of the prestigious Bolshoi Theatre, Ekaterina Scherbachenko is one of the most talented lyric sopranos of her generation. At the Bolshoi, her roles have included Natasha Rostova (War and Peace), Mimi (La Bohème), Liu (Turandot), Tatiana (Onegin), Micaela (Carmen) and the title role of Iolanta. Outside her native Russia, Ekaterina Scherbachenko has appeared on tour with the Bolshoi at the Opéra de Paris (Palais Garnier) and at the Teatro alla Scala in Milan.
The brilliant Russian mezzo-soprano Ekaterina Semenchuk has completed her studies at the Conservatory of St. Petersburg. In the past seasons, she sang Marina (Boris Godunov), Polina (Pique Dame) at the Metropolitan Opera as well as her first Azucena (Il Trovatore) in Valencia under the direction of Zubin Mehta. She has also sung at the Royal Opera House Covent Garden as Olga (Eugene Onegin) and the Berlin Staatsoper as Preziosilla (La Forza del Destino) and Polina (Pique Dame) under the direction of Daniel Barenboim.
22 performances per year.
PO Box 180, El Paso, TX 79942, USA
